They move amongst the wraiths with them like sharks after blood. They look vaguely like they were cloaked in dark robes. Harry Dresden describes them as dark, slithering shapes. They are dressed in dark robes and know no pity or restraint. Lemurs are ghosts that gave themselves over to rage and malice. After Dresden released Lindquist, he sends all of the Wraiths against the Corpsetaker getting her off of Molly Carpenter, and pushing her into a Southbound Train from Between. The following night Dresden comes to his rescue, accompanied by with his army of ghost soldiers and specters. Later, the Grey Ghost, reveals to be Corpsetaker, tortures Lindquist by lowering him into a pit of wraiths.
Wraiths were brought as attack-dogs by lemurs to charge Mortimer Lindquist's house-the Grey Ghost was apparently behind the ghostly attack. In Ghost Story, a wraith nearly consumes Dresden's ghost but Sir Stuart kills it with a memory bullet.
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When they expire, a stream of warped shadowy images play on a cloudy vapor that is emitted from their forms like series of old random movie clips. Wraiths make a hollow rattling gasp as though out of breath to scream. With enough power, they can threaten mortals as well as spirits Since they gave themselves up to despair, they have a cold presence and are very dangerous, especially to fresh shades, devouring their memories and assuming their power. It moves as though it has no weight and propelled itself by its toes. Its details were obscure and oddly proportioned. Its mouth stretches open as though the lower jaw is hinged on rubberbands. They have no real features, only hollow eye sockets in a skull-like face. Harry Dresden describes them as humanoid grey forms floating above the ground. Wraiths are ghosts without a purpose or without sufficient memories and self-reason, devouring the memories and the life of other shades. They can also be sensed by dogs, about one in ten can, and cats, who are not very impressed by them. Ghosts can be sensed by priests, shamans, and people who care for the souls of others. They can be trapped in a circle and then harmed by fire, or blocked by thresholds. Ghosts are also vulnerable to what Harry Dresden calls ghost dust, both in and out of the Nevernever. The only way a ghost can manifest is if it is insane. Ghosts cannot roam the mortal world between sunrise and sunset, nor can they wander on holy ground. The presence of a strong ghost can make the flame on a candle burn "pinpoint-clear". They can also teleport or possess inanimate objects. Agatha Hagglethorn was able to turn off the power in an entire ward at a hospital, enchanting the entire floor into a sleep, as well as using her spirit-self to suffocate babies. More powerful ghosts may interact with the mortal realm more actively than weaker ghosts. Weaker shades may just have phantom-like forms, while others may be more defined and substantial. Īs already mentioned, not all ghosts are of equal power. Ī ghost's power may vary according to the strength of the deceased's psychic presence, varying from shades to very substantial ghosts, such as Agatha Hagglethorn or The Nightmare. Ghosts may also be summoned by ectomancers in order to contact their loved ones, or to gather information. Ghosts are drawn to the magically gifted. Faith magic works best against these spirits. Most ghosts dwell at the very edges between the Nevernever and the mortal realm, though they can cross over to the mortal realm with relative ease at graveyards and sites of importance during their lives or during Halloween. They do not play by the rules of reality, and they cannot be affected by someone whose presence they do not acknowledge. A shade with a greater sense of self or purpose can maintain its individuality and state of mind.
The most dangerous ghosts are very substantial and appear to be human feeling real emotion. Ghosts aren't alive, they are a "footprint in stone", they're "shaped like the original" human, but they aren't it.
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